Hitting them considerably harder squeezed a maximum velocity of around 15 from them. To be more accurate, they were not dead, but hitting them as hard as you would to elicit a MIDI velocity of 127 elsewhere on the keyboard resulted in only silence. In common with several purchasers who wrote to various forums, I discovered that the keyboard had a bunch of dead keys, in my case spanning from A7 to E8. When this arrived, tests revealed that they had addressed the major issues but. Discussing these issues with Arturia revealed that the company were already working on updates, so we agreed that they would supply another unit as soon as they felt that the bugs had been ironed out. For example, the velocity response was unpredictable, and I couldn’t use a standard–polarity sustain pedal with it. I first received a KeyLab 88 immediately upon its release, but it was clear that there were problems. It’s unusual to review a product after it’s been on the market for this long, but in this case, there’s a good reason. A sustain pedal input (pedal optional) extends the functionality of the controller.A fully-weighted master keyboard at this price is unheard of.
Utilizing USB bus power, the velocity-sensitive twenty-five-key controller adds a dual bank of eight velocity- and pressure-sensitive back-lit performance pads, sixteen rotary controls that provide dedicated pre-mapping for the included Ableton Live Lite and Analog Lab Lite software, and responsive capacitive touch-strips for pitch bend and modulation. The MiniLab Mk II from Arturia is a compact, portable USB-MIDI controller that ships with a comprehensive audio production software suite.
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